Hommage, deux mouvements créés au Colloque Fou de bassons
29/04/2013
Par une collection de bassonistes dédiés de 7 à 84 ans:
Lucie Barnet
Josselin Bastide
Chantal Beaune
Pierre-Alain Begou
Olivier Buisson
Jean Broyer
Pierre Cathelain
Dylan Corlay
Simon Demangeat
Louis Freboeuf
Eva Fremaux
Philippe Gaillard
Victor Gefflaut
William Goutfreind
Maximilien Guillemeteau
Catherine Jambon
Adrien Jammes
Haskyl Khati-Lefrançois
Asriel Koteye
Dorcas Koteye
Maria Laplenie
Pascal Lescure
Raphaël Levron
Harold Marion
Louis Moorhouse
Éloi Ossard
Joanna Pensec
Louise Piton
Simon Rampnoux
Yannick Richard
Henri Roman
Thierry Saunier
Hugo Sainte-Rose
Clément Verdier
Axelle Brouzeng Lacoustille
Victor Deray
Merci à tous!
La boîte en cannelle
06/02/2012
There is really little relatively easy contemporary music repertoire for bassoon, so, I have for project to write a series of short easy/intermediate pieces featuring the bassoon.
I wrote this one this week. If you have a try, I'd love to have your comments, suggestions and possibly a recording if you have any!
Make this project possible
Bassoonists gathering around Hommage, for 32 bassoons
18/09/2011
I organised a bassoons gathering to read-through 3 movements of my piece Hommage, for 32 bassoons around the audience.
This is how it sounded like, with 14 bassoonists.
June 2011
London, St-Clement's Church
Caroline Glicksman, bassoonist
Cory Barger, bassoonist
David Robson, bassoonist
Hannah Smith, bassoonist
Hugh Rosenbaum, bassoonist
Iona Garvie, bassoonist
István György Berta, bassoonist
John McDougall, bassoonist
Laura Kirker, bassoonist
Neil Strachan, bassoonist
Philip Davis, bassoonist
Robin Hall, bassoonist
Simon Moore, bassoonist
Tom Hardy, bassoonist and fantastic gatherer
Tom Whitehouse, conductor
Andrew Crowe, film camera and photography
James Bull, audio recording
David Allen, St-Clement's Church Vicar
Sonia Paço-Rocchia, composer
Endless thank you for everybody who was involved
Souvenirs
for bass flute and live electronics
April 2010
12/08/2010
This is a piece that will eventually be part of a Multimedia Instrumental Opera, for 18 instruments and live electronics, video, dance and live art.
In that Instrumental Opera, the bass flute will represent the memories.
This piece contains a lot of choices that the player has to take, some semi improvised and some controlled improvisation.
I composed this piece on the Isle of Skye, Scotland, during a composition retreat of Rarescale.
Susan Geaney kindly premièred it, in Skye, something like 30 hours after I finished the composition. You can't have more fresh.
As we can see, a Nitendo Wii Remote is strapped on the foot joint of the bass flute and it is the tilt, the angle of the flute that is provoking the Max/MSP patch. For the opera something more discreet will be used.
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