Bachelors of Music (Composition instrumental and electroacoustic with a speciality in live electronics with Michel Smith, Michel Longtin, Jean Piché and Josée Evangelista, Bassoon with Martin Mangrum and Improvisation with Jean-Marc Bouchard) at the Université de Montréal
Double-D.E.C, in Music (Composition with Michel Thétraul and piano with Louise Bélanger) & Pure and Applied Sciences to Cégep de St-Laurent
Arduino training at iMAL, Brussels
2009 - 2011
Improvisation sessions by Eddie Prévost, London
Guest artist for Sensor-Based Mini-COMEDIA, NumediArt, Mons
2006 - 2007
Max/MSP workshops at IRCAM, Paris
Stage setting course, Centre de création scénique, Montréal
Program and design of Arduino/Teensy projects
2011 to 2013 and in 2015
On Codes D'Accès's board, an organism for producing emerging canadian composers.
Co-president of Post-Artist, an artist collective based in London
Entrepreneur, associate and programmer for TranquilleSoft, a Web and iDevices programming SME
Max/MSP (and Max for Live since 2013) programmer and teacher
Teacher: piano, early music, composition and improvisation
2003 and 2001
Coordinator for Festival de Musique Classique des Basses-Laurentides
Maker: wood and metal work including welding, basic electronics soldering and sewing
Guest resident at LA CHAMBRE BLANCHE, Québec city, work on Sentier sonore, a series sound installations: non linear compositions for invented instrument automata and work on Réflexion, an moving image installation for motorised mirrors and projection.
Performances as a bassoon improvisers with a haddock trio and with the London Improviser Orchestra, London
Residency for Play; commission for the music for a piece with words and videos by Sandrine Deumier. Invented instruments et interface designed specifically for this piece. Metal electric harp, electric aulos, electric Long Tube, electric Pandora box, interface Le Bras (conductance, wireless MIDI), Agence Topo, Montréal
Solo improviser bassoon and live electronics and bicycle and live electronics, at New Adventures in Sound Art, first concert of that Festival at Warbler’s Roost, South River, Ontario
Live electronics musician in the duet VibraLib for multiple trumpets (Frédéric Demers) and electroacoustic
Instruments design (ink trowing saxophone, Mr Curly contrabass clarinet for garden hose) for J'M'EN SAX! (twice nominated for an Opus) by Michel Smith, for Quasar, Gésù, Montréal
VibraLib at Montréal New Music contemporary music festival, played Il temps-te (see 2006), a Charles Quevillon and premièred a Monique Jean and a Mathieu Marcoux
Réseau, digital art, web art, cyberperformance, live coding web, electroacoustical music, molecular cuisine, projection. Collaborative work with Véronique Binst. At HTMlles festival, StudioXX.
Sphéro-automaton, a molecular cuisine automaton forming sphere from fruit sirup from live music.
Residency for Réseau and the Sphéro-automaton at Oboro, Montréal
Réseau at LadyBug, first European festival of women in digital art, Lyon
Hélix at Ouvrez grands vos oreilles, Célébrons 20 ans de créations musicales contemporaines, Émile Legault concert hall, Cégep St-Laurent, Montréal, Québec
Première of D'un autre côté, a piece for guitar, harp, harpsichord, cymbalum, double bass, five solids-sensors sound activators and live electronics. A commission by the Canadian Council for the Arts, Code d'Accès for Punctum assemble, Montréal
Residency for Réseau: digital art, web art, cyberperforance, live coding web, electroacoustical music, molecular cuisine, projection. Collaborative work with Véronique Binst. Fabrique de Théâtre, Framerie, Belgique
Participation as performer (voice and live electronics - by video) at Hörlursfestival, DOME Sollefteå, Sweden
Bassoonist of the London Improviser Orchestra for the film The Moment of Disappearance by Kate McMillan, music by Cat Hope, London.
Private view - solo exhibit, Hélix, outdoor interactive sound installation, 20 automatons of dancing slinky based instruments, non-linear composition, Mons, Belgique.
Hélix at City Sonic and Park in Progress, international festival of sound art, Mons, Belgique.
Residency Hélix, Fabrique de Théâtre, Framerie, Belgique
Residency Hélix, Pépinière Européenne pour Jeunes artistes, Mons, Transcultures, Communauté française de Belgique.
Première of two movements of Hommage, a piece for 32 bassoons, at Colloque de Bassons, Angoulême, France
Tour as a bassoon and live electronics free improviser. Sheffield, Manchester, London (4 solo performances, 2 solo (music) with collaborations with other art forms, 5 performances with ensembles, 2 performances with London Improviser Orchestra)
Front cover photo of Les Dames de la place Flagey by Jonathan Stone Engélinus, éditions maelstrÖm reEvolution.
Cyberperformance/live coding web, In Bed With Everybody, Lyon
Multiple collaborative work and a solo installation for hacked antique telephone and quadriphonic path. La Fabrique de Théâtre, Mons.
Bassoon improviser on the disk Hutch Demouilpied | Otherness, by Entropy Records
Commission (with Michel Smith) for the music for the play Yvonne, Princesse de Bourgogne (Gombrowicz), direction by Louis-Karl Tremblay, produce by Théâtre Point D'Orgue, at Prospero Theatre, Montréal
Scores of Massing and Prélude de bouilloires at Phono:Graphic, Galerie8 by SoundFjord, London
Going Away (video), bicycle with live electronics improvised solo, Bicycles and the Arts, Chicago
Guest composer at Rendez-vous création, CISM 89,3FM, Montréal
Guest improviser (bassoon) of the Toronto Improvisors Orchestra, Toronto
Guest improviser (bassoon and live electronics) of the Vultures Quartet, London
First read through of 3 movements of Hommage, a piece for 32 bassoons around the public, London
Commision for music and performance for the monologue I Became Luminous, produce by The Olga & Clarence Memorial Theatre Company, direction by Ieva Strazdine and played by Jeffrey Gordon Baker, London
Installation sur le Slinky version pour la Croatie, Vrijeme nakon 2011, Gallery Kortil, Rijeka
Regular member of the London Improviser Orchestra since 2009, London
Bassoon improviser in LIO LEO LEON by Emanem Disc. A disk recorded live by the London Improvisers Orchestra during Freedom of the City festival
Solo improviser (bassoon and live electronics) at Noise Upstairs Scheffield and Manchester
Recording of improvised solos, for bassoon and live electrics and bicycle and live electronics, Audition Records 012, Audiotalaia Netlabel
Online Bicycle and live electronics playing at Bicycles and the Arts, Chicago
Part Ark, Part of Leytonstone Arts Trail: Installation sur le slinky (second version)
Player for The Great Learning by Cornelius Cardew. A 4 disks compilation by Bôłt, recorded in the Art Centre of Wigry and Synagogue of Sejny, Poland
Performance with The Fantastique Quintette: Dave Tucker (guitar), Dave Solomon (drums), Ricardo Tejero (sax), Pat Thomas (piano) and myself, bassoon and live electronics, London
Première of Souvenirs, for bass flute (Susan Geaney) and live electronics with sensors, Scotland
Awarded for Composition Retreat by Rarescale
Invisible Ink, interactive sound installation, Domestic Disturbance, London
Co-Curator (With Andy MacWilliams) and performer in Domestic Disturbances: Series of happening in flats and houses around London.
Regular bassoon improviser of London Improviser Orchestra, since 2009
Commissioned by Pascal Malaterre to compose and perform a street performance in Paris, June 2010. Music have been performed solo with 6 boxes with accelerometer inside them, live electronics, bassoon and voice.
Première of Massing, for viola (Christine Caulfield) and live electronics first online on Second Life followed by a première in England.
Regular performer with Sound Through: Sound Through is a collective of musicians and sonic artists committed to exploring ideas surrounding aural architecture, sound manipulation, improvisation and performance.
We play in unusual venues, like shops, barn, disaffected buildings alternative venues including Shunt, in London.
Composer/improviser/performer for dance in Imagine a Spectacle: A stage for innovative thinking premièred in Bloomsbury Theatre, London.
Presentation of Soupirs, a version for solo clarinet (Markus Wenninger) with dance, Berlin
Conference et video performance, Theorizing the Space Between, University of Alberta
Guest performer (bassoon and live electronics) for WIP/WIT by Forum (Drill Hall, London)
Musician/performer/composer (bassoon, treble recorder and voice with live electronics + controlling some live electronics with some sensors on the dancers for Lucy Ridley's choreography, Sticky Pathways, a contemporary dance/movement and music improvisation/live art/sound art performance and installation about dream and reality. Performed in Shunt, London.
Created and performed Pedalling Under London's Clouds, a piece for bicycle solo and projection at EXPO LEEDS
Interactive Sound Installation on Living Room Scale Installation by Takako Jin, Leytonstone Art Trail, London
Co-Curating (with Frances Bowman) Domestic Disturbance as part of the Leytonstone Art Trail
Performer in Around This House - Happening in a Library in London, curated by Matthew Lee Knowles.
Performer for Tree Radical - 50 trees take to the streets of London in a performance that engaged and inspired. Barbican Center
Exhibition of a score of Prelude de bouilloires, a piece for whistling kettles : A Cup of Tea Solves Everything, curated by Hamja Ahsan and Steph Newell
Performance of Commentary, piece for bassoon+live electronics+theatrical/live art. In a special event for International Women's Day, organised by Forum, London.
Regular performer with CoMA, since 2006
Pedalling Under London's Clouds at 1st ANNUAL INTERNATIONAL FESTIVAL OF ELECTROACOUSTIC AND POLYMEDIA ART, Belgrade
NumédiArt Workshop, Sensor-Based Mini-COMEDIA, Mons
Performing the première of Pedalling Under London's Clouds, Luminaire, in a Music Orbit and SPNM event, in London
Leader of Jam & Tea, improvisations workshops, London
Première of Bal, commission for Cello and Marimba, Montréal
Première of Il temps-te, commission for solo brass player with live electronics in a theatrical performance.
Première of a Sound Installation on S'Enfeuiller, Montréal.
Première of Water, for singer in a shower and live electronics, Montréal
Première of Soupirs, for clarinet solo, live electronics and humming voice, Montréal
Première of À chacun sa ballounne!, piece for balloons played by members of the audience.
Première of Installation sonore sur le slinky, a sound installation using more than 20 instruments based on slinkies, Montréal.
Première of Improvisations sur les cinq sens, pièce for piano solo, soprano, cello, percussions, tape, theatral performance, live electronics, bag pipe and wireless toy car, Montréal
Première of Sans Escalier, piece for slinky solo and live electronics, Montréal
Commission and première of Prelude, a piece for Les Symphonies Portuaires, Montréal
Première of Prelude de bouilloires, piece for whistling kettles ensemble, Montréal
Recording of 4 of my pieces, including Moments by musicians of the Nouvel Ensemble Modern, in Montréal.
Première of Voix, electroacoustic piece, Montréal
Première of L'Espace d'un instant, electroacoustic piece, Montréal
Special Mention for CAM, piece for 7 bus card players, at Cégep en Spectacle, Montréal
Première of CAM, piece for 7 bus card players with quadriphonic amplification, Montréal
Première of Chants du désert, electroacoustic piece, Montréal
I sadly broke 3 excellent C-series contact microphones because of excessive vibrations: the piezoelectric ceramic could not sustain it and cracked, resulting in a strange clipping/rattling effect.
So I build a soundbox, a bit like the daxophone idea, that I can clamp into place. Awaiting for some piezoelectric cells to put it inside it and try that up.
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