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TWO Opus Awards for Ode au métal
19/01/2020
My work Ode au métal was awarded two Opus, "Best concert of the year, new and electroacoustic music" and «Best new work»!!
I thank Productions Recto-Verso, Groupe Le Vivier, Gesù, Canadian Council for the Arts, Conseil québécois de la musique and Quasar's team. A special thank you to the musicians of the saxophone quarte Quasar, Marie-Chantal Leclair, Mathieu Leclair, Jean-Marc Bouchard, André Leroux to have been fully involved in my work and giving full confidence in my ideas.
Interview with Marc Hervieux during Opus Awards ceremony.
Photos by Bélisle. - Trophy by Espace VERRE - Jean-Marie Giguère
I thank Productions Recto-Verso, Groupe Le Vivier, Gesù, Canadian Council for the Arts, Conseil québécois de la musique and Quasar's team. A special thank you to the musicians of the saxophone quarte Quasar, Marie-Chantal Leclair, Mathieu Leclair, Jean-Marc Bouchard, André Leroux to have been fully involved in my work and giving full confidence in my ideas.
Interview with Marc Hervieux during Opus Awards ceremony.
Photos by Bélisle. - Trophy by Espace VERRE - Jean-Marie Giguère
Introduction à l'électronique dans un context artistique
Vue d’ensemble seulement: 1h à 6h, travail pratique 3h à 20h
- en présentiel ou en ligne - en français ou en anglais
artistes et musiciens étudiants ou professionnels
artistes et musiciens étudiants ou professionnels
11/01/2020
Vu d’ensemble et démonstration des possibilités électroniques (senseurs, moteurs, sons, lumières, etc.) dans un contexte d’art visuel, cinétique, sonore et/ou musical.
Travail pratique consistant à construire un projet d’art ou d’instrument numérique. Initiation à l’électronique, soudure, code, design d’interface.
L’idée de cet atelier est de donner assez de connaissances aux artistes et musiciens pour intégrer de l’électronique à leur démarche personnelle.
À la suite de cet atelier les participants auront assez de connaissances pour développer leurs idées et soit avoir le vocabulaire nécessaire pour engager une personne qui les assistera pour la technique ou encore pour pousser plus loin par eux-même ou avec un cours plus approfondi.
Travail pratique consistant à construire un projet d’art ou d’instrument numérique. Initiation à l’électronique, soudure, code, design d’interface.
L’idée de cet atelier est de donner assez de connaissances aux artistes et musiciens pour intégrer de l’électronique à leur démarche personnelle.
À la suite de cet atelier les participants auront assez de connaissances pour développer leurs idées et soit avoir le vocabulaire nécessaire pour engager une personne qui les assistera pour la technique ou encore pour pousser plus loin par eux-même ou avec un cours plus approfondi.
End-of-residency performance at KIAC
02/01/2020
End-of-residency performance as Artist-in-Residence at Klondike Institute of Art & Culture.
Double-Tranchant @ KIAC
Double-Tranchant, meaning double-edged in French, is a solo show-installation for invented, found and automated instruments made with object that can cut, with real-time processing in a quadriphonic setting.
A piece for musical saws, stemsaws*, automated circular saw blades*, automated mobile of knifes*, automated electric musical saws* and other sharp found instruments with a live electronics setup that is a subtle gradient between playing an electronic instrument and playing with an algorithmic “musician” using a concept of indirect control by layers of flexible automations.
Double-Tranchant is a commentary on the contrast between the brute, the sharp and the flexible, the fascinating.
This piece is a long term project that has recently received the support of the Canada Council for the Arts. The residency at KIAC is to work on the code for the live electronics setup, working on the form of the show and composition in this really inspiring environment and to find some new sonic material with the help of Dawson community.
2th of Januarty, 19:30
Macaulay House (Princess and 7th), Dawson City, Yukon
Facebook Event
Double-Tranchant @ KIAC
Double-Tranchant, meaning double-edged in French, is a solo show-installation for invented, found and automated instruments made with object that can cut, with real-time processing in a quadriphonic setting.
A piece for musical saws, stemsaws*, automated circular saw blades*, automated mobile of knifes*, automated electric musical saws* and other sharp found instruments with a live electronics setup that is a subtle gradient between playing an electronic instrument and playing with an algorithmic “musician” using a concept of indirect control by layers of flexible automations.
Double-Tranchant is a commentary on the contrast between the brute, the sharp and the flexible, the fascinating.
This piece is a long term project that has recently received the support of the Canada Council for the Arts. The residency at KIAC is to work on the code for the live electronics setup, working on the form of the show and composition in this really inspiring environment and to find some new sonic material with the help of Dawson community.
2th of Januarty, 19:30
Macaulay House (Princess and 7th), Dawson City, Yukon
Facebook Event
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