End-of-residency performance as Artist-in-Residence at Klondike Institute of Art & Culture.
Double-Tranchant @ KIAC
Double-Tranchant, meaning double-edged in French, is a solo show-installation for invented, found and automated instruments made with object that can cut, with real-time processing in a quadriphonic setting.
A piece for musical saws, stemsaws*, automated circular saw blades*, automated mobile of knifes*, automated electric musical saws* and other sharp found instruments with a live electronics setup that is a subtle gradient between playing an electronic instrument and playing with an algorithmic “musician” using a concept of indirect control by layers of flexible automations.
Double-Tranchant is a commentary on the contrast between the brute, the sharp and the flexible, the fascinating.
This piece is a long term project that has recently received the support of the Canada Council for the Arts. The residency at KIAC is to work on the code for the live electronics setup, working on the form of the show and composition in this really inspiring environment and to find some new sonic material with the help of Dawson community.
2th of Januarty, 19:30
Macaulay House (Princess and 7th), Dawson City, Yukon
Facebook Event
Open Studio and Artist Talks
19/12/2019
Open Studio and Artist Talks evening as Artist-in-Residence at Klondike Institute of Art & Culture.
Andrea Kastner and I will be presented both of our work and a collaborative experiment.
19th of December, 19:30
Macaulay House (Princess and 7th), Dawson City, Yukon
Facebook Event
Andrea Kastner and I will be presented both of our work and a collaborative experiment.
19th of December, 19:30
Macaulay House (Princess and 7th), Dawson City, Yukon
Facebook Event
Artist-in-Residence at Klondike Institute of Art & Culture
01/12/2019
I'll be in residence at KIAC, in Dawson City, Yukon, Canada during the month of December for my project Double-Tranchant.
End-of-residency performance at Titanik
24/11/2019
Titanik Galleria, Itäinen Rantakatu 8, 20700 Turku, Finland
Sunday, 24 November
1pm at Titanik A.i.R. studio
3pm at Titanik A.i.R. studio
Facebook event
An intimate end-of-residency performance. The studio can host a maximum of 10 people, so do come early!
Double-Tranchant, meaning double-edged in French, is a solo show-installation for invented, found and automated instruments made with objects that can cut, with real-time processing in a quadriphonic setting.
Double-Tranchant is a piece for musical saws, stemsaws*, automated circular saw blades*, automated mobile of knives*, automated electric musical saws* and other found sharp instruments with a live electronics setup, that is a subtle gradient between playing an electronic instrument and playing with an algorithmic "musician" using a concept of indirect control by layers of flexible automations.
Double-Tranchant is a commentary on the contrast between the brute, the sharp, the flexible and the fascinating.
This piece is a long term project that has recently received support from the Canada Council for the Arts. During the residency at Titanik Paço-Rocchia is working on the form of the show and the composition. She has focused on looking for new sonic material and on working on the code for the live electronics setup.
*instruments invented by the artist
Sunday, 24 November
1pm at Titanik A.i.R. studio
3pm at Titanik A.i.R. studio
Facebook event
An intimate end-of-residency performance. The studio can host a maximum of 10 people, so do come early!
Double-Tranchant, meaning double-edged in French, is a solo show-installation for invented, found and automated instruments made with objects that can cut, with real-time processing in a quadriphonic setting.
Double-Tranchant is a piece for musical saws, stemsaws*, automated circular saw blades*, automated mobile of knives*, automated electric musical saws* and other found sharp instruments with a live electronics setup, that is a subtle gradient between playing an electronic instrument and playing with an algorithmic "musician" using a concept of indirect control by layers of flexible automations.
Double-Tranchant is a commentary on the contrast between the brute, the sharp, the flexible and the fascinating.
This piece is a long term project that has recently received support from the Canada Council for the Arts. During the residency at Titanik Paço-Rocchia is working on the form of the show and the composition. She has focused on looking for new sonic material and on working on the code for the live electronics setup.
*instruments invented by the artist
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