: Composition › Instrumental ( Nouvelle vie, nouvelle ville + Hommage )

Bassoonists gathering around Hommage, for 32 bassoons

I organised a bassoons gathering to read-through 3 movements of my piece Hommage, for 32 bassoons around the audience.
This is how it sounded like, with 14 bassoonists.

June 2011
London, St-Clement's Church

Caroline Glicksman, bassoonist
Cory Barger, bassoonist
David Robson, bassoonist
Hannah Smith, bassoonist
Hugh Rosenbaum, bassoonist
Iona Garvie, bassoonist
István György Berta, bassoonist
John McDougall, bassoonist
Laura Kirker, bassoonist
Neil Strachan, bassoonist
Philip Davis, bassoonist
Robin Hall, bassoonist
Simon Moore, bassoonist
Tom Hardy, bassoonist and fantastic gatherer

Tom Whitehouse, conductor

Andrew Crowe, film camera and photography
James Bull, audio recording

David Allen, St-Clement's Church Vicar

Sonia Paço-Rocchia, composer

Endless thank you for everybody who was involved

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Souvenirs

for bass flute and live electronics
April 2010

This is a piece that will eventually be part of a Multimedia Instrumental Opera, for 18 instruments and live electronics, video, dance and live art.

In that Instrumental Opera, the bass flute will represent the memories.

This piece contains a lot of choices that the player has to take, some semi improvised and some controlled improvisation.

I composed this piece on the Isle of Skye, Scotland, during a composition retreat of Rarescale.

Susan Geaney kindly premièred it, in Skye, something like 30 hours after I finished the composition. You can't have more fresh.

As we can see, a Nitendo Wii Remote is strapped on the foot joint of the bass flute and it is the tilt, the angle of the flute that is provoking the Max/MSP patch. For the opera something more discreet will be used.

Score

This Way Up

piece for performer/singer and box with live electronics

On the box, there is the score. The score does not contain just musical instructions but also contains some indications about the orientation of the box: "This way up".

While the performer is performing the piece, s/he have to change the orientation of the box following the score.
The live electronics changes depending of the orientation of the box.

This piece, as a work and progress form, has been presented at Around This House - Happening in the Library

Between the Door and the Staircase

November 2008
for piccolo, live electronics and stage actions

This is a somewhat theatrical piccolo piece in which the player will have a lot of choices to take. The piece will be greatly different depending who is playing and probably at each performance of the same player.

Score

This is some extracts of my work in max/MSP for that piece. You will there hear my great sound on the piccolo... I blew in a piccolo for the first time compose do this piece...

Whistle-Tones and Clicks
one of the Time
Ds
Clicks
SSSS

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