premiered 20th March 2009, 35 minutes
Choreographer’s note:
Sticky Pathways is an unfolding labyrinth of rambling dimensions and slanted reflections where people exist on the cusp of dream and reality.
Music note:
In Lucy’s Sticky Pathway the music has been involved in the creative process at all times . From the beginning we did dance and music improvisation where the dance and music influence each other. For this work it was very important to have a strong link between the dance and the music and to integrate completely the music and the musician in the work itself as well as incorporating sounds made by the dancers in the music. To be able to make this mutual influence dynamic we used live music either solo or with live electronics (bassoon, treble recorder solo and voice with live electronics) or accelerometers to follow closely the movements of the dancers. (Accelerometers from Nintendo Wii Remotes that control the sound in an application programmed by Sonia Paço-Rocchia using Max/MSP)
Choreography - Lucy Ridley
Music - Sonia Paço-Rocchia
Costumes - Chantal Francis
Performer - Simeon John
Dancers - Carly Blackburn, Matt Bradley, Maxine Calleja, Magnus ElektrEmaka Einang, Aislinn Grech, Amy Lazarou
Photos/Filmed - Irene Segura
Sticky Pathways
30/04/2009
Prélude
25/02/2004
janvier et février 2004
récitant, voix, harmonica et percussions
Prélude à la Symphonie Portuaire, en collaboration avec Éric Champagne et Émile Primeau.
Hommage à l’Acadie
Jouée les 22 et 29 février 2004
(link) CMC
Musique d'ameublement
22/10/2003
automne 2003
Expérience de co-composition
Éric Champagne, Philippe Lévesque, Andrée-Anne Mathonet et Sonia Paço-Rocchia
vibraphone, accordéon, saxophone et ensemble de verres
Une musique d’une trentaine de minutes, avant le début d’un concert. Chaque compositeur a choisi son instrument, sa note fondamentale et le spectre harmonique de celle-ci détermine les notes qu’il peut utiliser. Ensuite, la journée même, on met le tout ensemble.
Les verres ont été martyrisés par Laure Valiquette Talbot et moi...
Jouée en prélude au concert Gala du Ceco, de septembre 2003
(link) Critique
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