: instrument: Invented and Sound Makers

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Going Away, improvisation for bicycle solo

Following the Bicycles and the Arts event, I had a bicycle all ready to make this improvisation!

Installation sur le Slinky, seconde version

version 2010

After the first version if the installation, in 2004, a research on the slinky and performances of Sans Escalier, piece for slinky solo, the Slinky saga continue.

Frances Bowman asked to be part of Part Ark, an week-end of exhibition in a park, as a sound artist. I though that I could wake up my slinkies. Installation sur le slinky is an interactive installation using slinkies as source of sound. I did it years ago in Montréal, (Installation sur le slinky). But this one, in London, is partly inspired by Robin Whittle slinky research.

Here is a little video of this year slinky installation:

Sticky Sticky Pathways

Sticky Sticky Pathways was for one week at The Shunt, in London (7 performances)
As it is a space specific work it is quite different from the premiere last March.

Sticky Sticky Pathways
Contemporary dance/movement & music improvisation/live art/sound art performance and installation.

Choreographer’s note:
Sticky Pathways is an unfolding labyrinth of rambling dimensions and slanted reflections where people exist on the cusp of dream and reality.


Choreography - Lucy Ridley
Music Performer - Sonia Paço-Rocchia (bassoon, treble recorder, voice, live electronics)
Costumes - Chantal Francis
Dancers/Performers - Carly Blackburn, Lauren Bridle, Maxine Calleja, Chantal Francis, Aislinn Grech, Emelia Lazarou, Lucy Ridley


(photos, Andrew Crowe and Isaak Mavridis, filmed by Sandra Kolar)

























Sticky Pathways was as well an installation that was including a 8 channels music track, a lot of solo tape and a frame with some headphones. Here three extracts of the 45 minutes long music track.

(audio) solo tape
(audio) recorder
(audio) bassoon



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