ZzCc: Anoush MoaZzeni on Augmented Prepared Piano with Live Electronics & Sonia Paço-RoCchia on Automated Unconventional Instruments
photos of Anoush by Sonia Paço-Rocchia
photos of Sonia by Anoush Moazzeni
photos of the duo by Leslie Ross
performance de narration numériqueSandrine Deumier
poésie, art vidéo
musique, lutherie numérique
Improvisation for the complete myriad of sound-makers, invented instruments, automata, video installation etc… I worked on during my residency at LA CHAMBRE BLANCHE
Last day in residency
Well, it was the last day, so, at some point, I decided to push my prototypes a bit further, see where they could break. Well, they did not. So I made this improvisation, and probably because of the stress I just put them under, half my prototypes broke during this improvisation!
In the background
19 mirrors, 19 servo motors, 1 LED projector, SSC-32, Teensy, surface speaker/transducer
In the foreground
Saws played with solenoids played via MIDI, with a QuNeo, using an interface I designed during the residency.
Flexamaton on the left - flexed sheet metal with a slinky
Flexamaton on the right - flexed sheet metal with a infinite bow (like a motorised hurdy-gurdy)
Step motors for the two Flexamata controlled via MIDI, with a Korg Nano, using a interface I designed during the residency.
Metal harp that I designed for Play; (that is actually more like a thumb piano)
A Flex-Helixophone (on the right) flex sheep metal with a slinky
Live electronics, using a old patch of mine that I control with a SoftStep and a QuNexus
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